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Correggio

Italian 1489-1534 Correggio Locations

Gemälde ID::  508

Verehrung von den Hirten
Gemaldegalerie, Dresden
Gemaldegalerie, Dresden
Italian 1489-1534 Correggio Locations

   
 

 

 
   
      

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Nicolas Poussin

French 1594-1665 Nicolas Poussin Galleries

Gemälde ID::  2161

Verehrung vonden Hirten


French 1594-1665 Nicolas Poussin Galleries

   
 

 

 
   
      

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Gerrit van Honthorst

1590-1656 Dutch Gerrit Van Honthorst Galleries

Gemälde ID::  2439

Verehrung von den Hirten
1622 Wallraf-Richartz Museum, Cologne
der Wallraf-Richartz von 1622 Museum, Herrenduft
1590-1656 Dutch Gerrit Van Honthorst Galleries

   
 

 

 
   
      


Gemälde ID::  3402

Verehrung von den Hirten
1646 Pinakothek, Munich
der Pinakothek von 1646, München

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  10043

Verehrung von den Hirten
1480 Wood, 97 x 245 cm Staatliche Museen Berlin
das Holz von 1480, Haben 97 X 245 cm Staatliche Berlin. Nachgesonnen
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Gemälde ID::  8757

Verehrung von den Hirten
1646 Oil on canvas, 97 x 71,5 cm Alte Pinakothek, Munich
das Öl von 1646 auf Leinwand, 97 X 71.5 cm Alte Pinakothek, München
Born 1606, Died 1669

   
 

 

 
   
      

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Maino, Juan Bautista del

Spanish Baroque Era Painter, 1578-1649

Gemälde ID::  19253

Verehrung von den Hirten
Oil on canvas The Hermitage, St. Petersburg.
Öl aufLeinwand Die Einsiedlei, Str. Petersburg.
Spanish Baroque Era Painter, 1578-1649

   
 

 

 
   
      

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Jean-Honore Fragonard

French Rococo Era Painter, 1732-1806

Gemälde ID::  29530

Verehrung von den Hirten
c. 1775 Oil on canvas, 73 x 93 cm
c. dasÖl von 1775 auf Leinwand 73 X 93 cm
French Rococo Era Painter, 1732-1806

   
 

 

 
   
      

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FETI, Domenico

Italian Baroque Era Painter, ca.1589-1624

Gemälde ID::  28319

Verehrung von den Hirten
mk60 Oil on panel 19x14 1/2"
mk60 Öl auf täfelt 19x14 1/2
Italian Baroque Era Painter, ca.1589-1624

   
 

 

 
   
      

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Bartolome Esteban Murillo

Spanish 1618-1682 Bartolome Esteban Murillo Galleries

Gemälde ID::  28321

Verehrung von den Hirten
mk60 Oil on canvas 77 1/2x58"
mk60 Öl auf Leinwand 77 1/2x58
Spanish 1618-1682 Bartolome Esteban Murillo Galleries

   
 

 

 
   
      

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LE BRUN, Charles

French painter (b. 1619, Paris, d. 1690, Paris)

Gemälde ID::  29639

Verehrungvon den Hirten
1689 Oil on canvas, 151 x 213 cm
das Öl von 1689 auf Leinwand 151 X 213 cm
French painter (b. 1619, Paris, d. 1690, Paris)

   
 

 

 
   
      

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Correggio

Italian 1489-1534 Correggio Locations

Gemälde ID::  31661

Verehrung von den Hirten
mk74 256.5x188cm Dresden,Gemaldegalerie
mk74 256.5x188cm Dresden Gemaldegalerie
Italian 1489-1534 Correggio Locations

   
 

 

 
   
      

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El Greco

Greek-born Spanish Mannerist Painter, 1541-1614

Gemälde ID::  32875

Verehrung vonden Hirten
mk84 ca.1612-14 Madrid, Pradon,canvas 320x180cm
mk84 ca.1612-14 Madrid, Pradon, Leinwand 320x180cm
Greek-born Spanish Mannerist Painter, 1541-1614

   
 

 

 
   
      

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Maino, Juan Bautista del

Spanish Baroque Era Painter, 1578-1649

Gemälde ID::  32880

Verehrung von den Hirten
mk84 1612-13 Madrid, Prado Canvas 315x174cm
mk84 1612-13 Madrids, Prado Leinwand 315x174cm
Spanish Baroque Era Painter, 1578-1649

   
 

 

 
   
      

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Francisco de Zurbaran

1598-1664 Spanish Francisco de Zurbaran Galleries

Gemälde ID::  32901

Verehrung von den Hirten
mk84 1639 Grenoble canvas 267x185cm
der Grenoble von mk84 1639 Leinwand 267x185cm
1598-1664 Spanish Francisco de Zurbaran Galleries

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  40244

Verehrung von den Hirten
mk156 1476-1478 Oil on wood 250x310cm
mk156 1476-1478 Öle auf Holz 250x310cm
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Andrea Mantegna

Italian 1431-1506 Andrea Mantegna Locations

Gemälde ID::  41271

Verehrung von den Hirten
mk161 Tempera on canvas transferred from wood
mk161Tempera auf Leinwand hat von Holz übertragen
Italian 1431-1506 Andrea Mantegna Locations

   
 

 

 
   
      

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Francois Boucher

French Rococo Era Painter, 1703-1770

Gemälde ID::  52563
Adoration of the Shepherds
1750 Oil on canvas
French Rococo Era Painter, 1703-1770

   
 

 

 
   
      

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Giorgione

Italian 1476-1510 Giorgione Galleries

Gemälde ID::  55998
adoration of the shepherds
mk247 1505 to 10 ,oil on panel,35.75x43 in,91x111 cm,national gallery of art,washingtom,dc,usa
Italian 1476-1510 Giorgione Galleries

   
 

 

 
   
      

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Gerrit van Honthorst

1590-1656 Dutch Gerrit Van Honthorst Galleries

Gemälde ID::  56053
adoration of the shepherds
mk247 1622,oil on can vas 64x74 in,164x190 cm,wallraf richartz museum,cologne,germany
1590-1656 Dutch Gerrit Van Honthorst Galleries

   
 

 

 
   
      

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RIBALTA, Francisco

Spanish Baroque Era Painter, ca.1565-1628

Gemälde ID::  62317
Adoration of the Shepherds
15 x 29,5 cm Museo de Bellas Artes, Bilbao This small painting was painted on a copper plate used for engraving, the back side of the plate shows an engraving of the Sermon of St Luis Beltr?n. The attribution to Juan Ribalta is debated, Francisco Ribalta and Pedro Orrente are also mentioned in the literature as possible author
Spanish Baroque Era Painter, ca.1565-1628

   
 

 

 
   
      

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GRECO, El

Greek-born Spanish Mannerist Painter, 1541-1614

Gemälde ID::  62331
Adoration of the Shepherds
11 x 47 cm Galleria Nazionale d'Arte Antica, Rome The two paintings in the Galleria Nazionale d'Arte Antica in Rome (Adoration of the Shepherds, Baptism of Christ) were considered workshop pieces or autograph replicas of two of the three pictures that El Greco executed for the Colegio di Do?a Mar?a de Arag?n in Madrid (now dispersed and housed in the Muzeul de Arta, Bucharest and the Museo del Prado, Madrid). However, a recent radiographic analysis (1997) has proven that they are original oil sketches by the hand of El Greco himself. The presence of pentimenti, compositional emendations beneath the paint surface, reveals the creative process of the artist and leads to the conclusion that these are not copies but preparatory bozzetti for the Madrid cycle. The important commission, probably designed as a triptych to decorate the high altar of the chapel, was given to El Greco in 1596: work continued until the Holy Year of 1600. The third oil sketch, depicting the Annunciation, is preserved at the museum in Bilbao. The silvery light, the coloristic range based on cold tones, the quick, almost impressionistic brushwork and the use of strong contrasts of light and shadow in this picture are all typical characteristics of El Greco's Spanish manner (1576-1614). Author: GRECO, El Title: Adoration of the Shepherds , 1551-1600 , Spanish Form: painting , religious
Greek-born Spanish Mannerist Painter, 1541-1614

   
 

 

 
   
      

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GRECO, El

Greek-born Spanish Mannerist Painter, 1541-1614

Gemälde ID::  62335
Adoration of the Shepherds
1596-1600 Oil on canvas National Museum of Art of Romania, Bucharest The detail shows the lower part of the painting which was probably on the left of the retable of the Colegio de Do?a Maria. Author: GRECO, El Title: Adoration of the Shepherds (detail) , 1551-1600 , Spanish Form: painting , religious
Greek-born Spanish Mannerist Painter, 1541-1614

   
 

 

 
   
      

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Domenico Ghirlandaio

Italian 1449-1494 Domenico Ghirlandaio Galleries

Gemälde ID::  62410
Adoration of the Shepherds
167 x 167 cm Santa Trinit? Florence "He painted in tempera, as a companion to this work, a Nativity of Christ which must excite the wonder of every thinking man, introducing his own portrait and some heads of shepherds, which are considered divine" (Vasari). The Sassetti Chapel is consecrated to the birth of Christ, and as a result much in the chapel is conceived with that event in mind. The altarpiece the Adoration of the Shepherds is the chapel 's key work not only in subject, but also in artistic merit. This composition was so successful that other artists frequently repeated it. Ghirlandaio himself appears in the scene, dressed as a shepherd. He is even allowed to come closer to the Christ Child than the donors, who appear in frescoes to the right and left, praying outside the confines of the panel. The artist, who is leading the shepherds, is kneeling and bringing the miracle of the birth of Christ to the attention of both the shepherds and the observers of the picture. His left hand, with which he is pointing to the Christ Child, is finely drawn and is superbly modelled in three dimensions. With his right hand, his painting hand, he is pointing to his chest, as he does in a later fresco in the Tornabuoni Chapel. As Ghirlandaio is pointing both at the child and the garlands on the Roman marble sarcophagus, it is possible that the gesture is saying: "This holy child was painted for you by me, the garland-maker Ghirlandaio." The classical sarcophagus in the picture is not just a manger for the ox and ass. It also has an iconographical significance indicated by the Latin inscription along its front: Ense cadens. Solymo. Pompei Pului[us] Augur Numen. Ait. Quae me conteg[it] Urna Dabit. [While Fulvi(us), augur of Pompey, was falling by the sword in Jerusalem he said: the urn that covers (conceals) me shall bring forth a god]. This is an ancient prophecy by Fulvius. The animals' manger will serve as a crib for the Christ Child. In his Adoration of the Shepherds, Ghirlandaio combines this reference to the Roman classical age with knowledge of Flemish art and turns them into an integrated whole. An historic event that took place a few years before this work was painted clearly left its mark behind on Ghirlandaio's work. An altarpiece ordered by Tommaso Portinari from Hugo van der Goes in Bruges reached Florence in May 1483. Florentine artists saw van der Goes' Adoration of the Shepherds as a shining comet showing new ways of painting. In Ghirlandaio's altarpiece, the shepherds pushing their way into the picture from the right, with their harsh, life-like features, are drawn directly from this Flemish model. Ghirlandaio's landscape in the background also displays features from north of the Alps
Italian 1449-1494 Domenico Ghirlandaio Galleries

   
 

 

 
   
      

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Francois Boucher

French Rococo Era Painter, 1703-1770

Gemälde ID::  62417
Adoration of the Shepherds
1750 Oil on canvas Mus?e des Beaux-Arts, Lyon Boucher had never been a committed artistic believer. Although he had worked in Italy, the Italian tradition did not tempt him into vast imaginative schemes. He never aimed at a heroic vision. He expressed no glorious promises about heaven: either as an Olympian refuge for aristocratic families, or in ordinary Christian terms. Like most French eighteenth-century painters, he could not evolve a satisfactory idiom for religious pictures of any kind; and he was particularly unsuited to the task by the nature of his real abilities. The picture shows one of his rare paintings of religious subject
French Rococo Era Painter, 1703-1770

   
 

 

 
   
      

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JORDAENS, Jacob

Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen).

Gemälde ID::  63967
Adoration of the Shepherds
Oil on canvas Mauritshuis, The Hague , Artist: JORDAENS, Jacob , Adoration of the Shepherds , 1651-1700 , Flemish , painting , religious
Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen).

   
 

 

 
   
      


Gemälde ID::  64037
Adoration of the Shepherds
1608 Oil on canvas St.-Pauluskerk, Antwerp , Artist: RUBENS, Pieter Pauwel , Adoration of the Shepherds , 1601-1650 , Flemish , painting , religious

   
 

 

 
   
      

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El Greco

Greek-born Spanish Mannerist Painter, 1541-1614

Gemälde ID::  64074
adoration of the shepherds
painted during the last period,c.1604-14 64x42 the metropolitan museum of art, new york
Greek-born Spanish Mannerist Painter, 1541-1614

   
 

 

 
   
      

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MAULBERTSCH, Franz Anton

Austrian Painter, 1724-1796

Gemälde ID::  64574
Adoration of the Shepherds
1758 Fresco Parish Church, S?meg Artist:MAULBERTSCH, Franz Anton Title: Adoration of the Shepherds, 1751-1800, Austrian , painting , religious
Austrian Painter, 1724-1796

   
 

 

 
   
      

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MAULBERTSCH, Franz Anton

Austrian Painter, 1724-1796

Gemälde ID::  64575
Adoration of the Shepherds
1758 Fresco Parish Church, S?meg The detail shows the self-portrait of the artist. Artist:MAULBERTSCH, Franz Anton Title: Adoration of the Shepherds (detail), 1751-1800, Austrian , painting , religious
Austrian Painter, 1724-1796

   
 

 

 
   
      

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Giovanni Paolo Panini

17 June 1691 - 21 October 1765) was an Italian painter and architect, mainly known as one of the vedutisti . As a young man, Panini trained in his native town of Piacenza, under Giuseppe Natali and Andrea Galluzzi, and later the stage designer Francesco Galli-Bibiena. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti and became famous as a decorator of palaces, including the Villa Patrizi (1719-1725), the Palazzo de Carolis (1720), and the Seminario Romano (1721-1722). In 1719, Panini was admitted to the Congregazione dei Virtuosi al Pantheon. He taught in Rome at the Accademia di San Luca and the Academie de France, where he influenced Jean-Honore Fragonard. In 1754, he served as the principal of the Accademia di San Luca. Panini died in Rome on 21 October 1765 As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are the interior of the Pantheon, and his vedute paintings of picture galleries containing views of Rome. Most of his works, specially those of ruins have a substantial fanciful and unreal embellishment characteristic of capriccio themes.

Gemälde ID::  71326
Adoration of the Shepherds
ca. 1755(1755) Oil on canvas 96.5 x 73.3 cm (37.99 x 28.86 in)
17 June 1691 - 21 October 1765) was an Italian painter and architect, mainly known as one of the vedutisti . As a young man, Panini trained in his native town of Piacenza, under Giuseppe Natali and Andrea Galluzzi, and later the stage designer Francesco Galli-Bibiena. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti and became famous as a decorator of palaces, including the Villa Patrizi (1719-1725), the Palazzo de Carolis (1720), and the Seminario Romano (1721-1722). In 1719, Panini was admitted to the Congregazione dei Virtuosi al Pantheon. He taught in Rome at the Accademia di San Luca and the Academie de France, where he influenced Jean-Honore Fragonard. In 1754, he served as the principal of the Accademia di San Luca. Panini died in Rome on 21 October 1765 As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are the interior of the Pantheon, and his vedute paintings of picture galleries containing views of Rome. Most of his works, specially those of ruins have a substantial fanciful and unreal embellishment characteristic of capriccio themes.

   
 

 

 
   
      


Gemälde ID::  71419
Adoration of the Shepherds
Date between 1580(1580) and 1590(1590) Medium Oil on canvas Dimensions 134 x 188 cm (52.76 x 74.02 in)

   
 

 

 
   
      


Gemälde ID::  72170
Adoration of the Shepherds
between 1740(1740) and 1760(1760) Oil on canvas 81.3 X 43.2 cm (32.01 X 17.01 in)

   
 

 

 
   
      

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Panini, Giovanni Paolo

Italian Neoclassical Painter, ca.1691-1765

Gemälde ID::  72441
Adoration of the Shepherds
Date ca. 1755(1755) Medium Oil on canvas Dimensions 96.5 X 73.3 cm (37.99 X 28.86 in) cyf
Italian Neoclassical Painter, ca.1691-1765

   
 

 

 
   
      

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Guido Reni

1575-1642 Italian Guido Reni Galleries

Gemälde ID::  73771
Adoration of the shepherds
Adoration of the shepherds cjr
1575-1642 Italian Guido Reni Galleries

   
 

 

 
   
      

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Zacarias Gonzalez Velazquez

Spanish , Madrid 1763 - 1834

Gemälde ID::  73785
Adoration of the Shepherds
Date between 1740(1740) and 1760(1760) Medium Oil on canvas Dimensions 81.3 X 43.2 cm (32.01 X 17.01 in) cyf
Spanish , Madrid 1763 - 1834

   
 

 

 
   
      

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Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640

Gemälde ID::  81308
Adoration of the Shepherds
Date 1608(1608) Medium Oil on canvas Dimensions 64 x 47 cm (25.2 x 18.5 in) cjr
Flemish Baroque Era Painter, 1577-1640

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Gemälde ID::  92731
Adoration of the Shepherds
1646(1646) Medium oil on canvas Dimensions Height: 97 cm (38.2 in). Width: 71.5 cm (28.1 in). cjr
Born 1606, Died 1669

   
 

 

 
   
      

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Caravaggio

Italian Baroque Era Painter, ca.1571-1610

Gemälde ID::  94800
Adoration of the Shepherds
1609 Type Oil on canvas Dimensions 314 cm x 211 cm (124 in x 83 in) cyf
Italian Baroque Era Painter, ca.1571-1610

   
 

 

 
   
      

Caravaggio
Italian Baroque Era Painter, ca.1571-1610
Adoration of the Shepherds

        
 
   
 

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